RESUME

 

EXPERIENCE


    PRODUCTION AUDIO


      Studio C (BYU Broadcasting) - May 2013 - Current

        Location and BTS Sound Mixer.


      Breaking Pointe Season 2 (BBC/CW) - January - May 2013

        A1 (Sound Mixer).  Distributed by CW, produced by BBC Worldwide.


       Gold Fever (Discovery) - November 2012

        Boom Operator, Main Unit.  Distributed by Discovery Channel.


        Bilet na Vegas (Gor Kirakosian) - Spring 2012

        Boom Operator, Main Unit, Foreign Language (Russian).


        12 Dogs of Christmas: The Great Puppy Rescue - Spring 2012

        Boom Operator, Main Unit.

       

       Dr. Fuablous (Scott Winn & James Alexander) - October/November 2011

        Mixed production sound and did playback for a web series. Distributed on Youtube.


        The Wilson Phillips Project (E!) - Septermber 2011

        Mixed production sound (UT portion) for reality television.  Distributed by E!.


        StarBiz (BYU Broadcasting) - September 2011

        Mixed production sound for reality television.  Distributed by BYU TV.


        Mosquita y Mari (Aurora Gurerro) - July 2011

        Production Sound Mixer, Foreign Language (Spanish).


        Monstrosity (Colton Tran) - May 2011

        Recorded production sound using a Sound Devices 442 and Fostex PD6.


        Sweetwater (Brian Skiba) - March 2011

        Recorded production sound using a Sound Devices 442 and Fostex PD6.


        In The Can & The Mountain Morning Show (Park City Television) - January 2011

        Mixed three hours of live television and miced guests for Park City Television a day

        during the Sundance Film Festival.


        White Wings (directed by Richard Hatch) - December 2010

        Recorded production sound using a Sound Devices 442 and Fostex PD6.


        Sister Wives - Season Two (Figure 8 Films / Puddle Monkey) - November 2010

        Mixed production sound for reality television.  Distributed by TLC.


        An Evening with My Comatose Mother (directed by Jonathan Martin) - September 2010

        Recorded production sound using a Sound Devices 442 and Fostex PD606.


        Adler’s Bus Stop (directed by Chris Morgan) - July 2010

        Recorded production sound using a Sound Devices 442 and 744T.


        Reco (directed by Chris Adler) - July 2010

        Recorded production sound using a Sound Devices 442 and Edirol R4.


        Sundance Directors Lab  -  June 2010

        Drunktown’s Finest (directed by Sydney Freeland)

        The Perfect Moment (directed by Ondi Timoner)

        Mixed production sound and trained boom operator, worked with two fellow directors.


        Lone (directed by Jon Huertas) - May 2010

        Recorded production sound using a Sound Devices 442 and Edirol R4..


        127 Hours: Electronic Press Kit (directed by Sinuhe Xavier) - April 2010

        Recorded sound using a Sound Devices 442 and Fostex FR-2.


        Divide (directed by Josh Zientarski) - March 2010

        Mixed production sound using a Sound Devices 442 and a AJA Ki-Pro.


        Rock N’ Style Hairbrush (directed by Gary Bentz, BxP) - December 2010

        Recorded production sound with music playback using Logic Pro.


        Jack and Jen (directed by Chris Morgan) - October 2009

        Recorded production sound using a Shure FP-33 and Edirol R4.


        Hell Hole, The Series: Pilot (directed by Jorge Urbina) - September 2009

        Recorded production sound using a Shure FP-33 and Sound Devices 702.


        Capture The Flag (directed by Lisanne Skyler) - July 2009

        Recorded production sound using a Shure FP-33 and Sound Devices 702.


        Sundance Directors Lab  -  June 2009

        All Fall Down (directed by Jonathan Wysocki)

        My Brother The Devil (directed by Sally El Hosaini)

        Mixed production sound and trained boom operator, worked with two fellow directors.


        The Frankenstein Syndrome (directed by Sean Tretta) - May 2009

        Originally titled The Prometheus Project.

        Feature film. Recorded production sound as a double system using the Fostex FR-2.


        Explorer: Sex, Lies and Gender - April 2009

        Mixed production sound (AZ portion), a National Geographic production.


        Living Eternal (directed by Adam Valencia and Nick Geib) - March 2009

        Recorded production sound using the Sound Devices 702T and Nagra 4.2.


        Border Story (directed by Toby Louie) - November 2008

        Recorded production sound as a double system using the Sound Devices 744T.       


        Trade In (directed by Jackie Lee James) - October 2008 - November 2008

        Feature film. Recorded production sound as a double system using the Fostex FR-2.

        

        My Father’s Son (directed by Jordan Fuller) - July 2008

        Mixed production sound as a double system using the Sound Devices 744T.


        Sundance Directors Lab  -  June 2008

        Shockheaded Peter (directed by Frank Budgen)

        Blood Abundance or The Half-Life of Antonette (directed by John Magary)

        Mixed production sound and trained boom operator, worked with two fellow directors.


        Hunters (directed by Randall French)  -  October 2007
        Mixed production sound as a double system using two Sound Devices 702s.


        Burr (directed by Alex Maxwell)  -  September 2007
        Mixed production sound as a double system using the Sound Devices 744T.

        Trained a boom operator and managing two interns and jam synced the smart slate.


        Flying Kites (directed by Hank Knaack)  -  February 2007
        Mixed production sound as a double system using a Nagra 4.2.


        Tympanic (directed by Ben Slamka)  -  January 2007
        Mixed production sound as a double system using a Nagra 4.2.


        The Electric Sleep (directed by Matt Brailey)  -  October 2006
        Mixed production sound and operated a the boom as a single system.


        Alma (directed by Yuri Makino)  -  July 2006
        Operated the boom as part of double system.


        April’s Last (directed by Joe Odea)  -  May 2006
        Mixed Production Sound as a double system using a Nagra 4.2.

        This was a University of Arizona Production in conjunction with the Kodak Grant.


        Fistful of Ugly (directed by Jessica Montalvo)  -  Nov. 2005
        Recorded production sound as a double system using a DAT recorder.



    POST PRODUCTION AUDIO


        Monstrosity (Colton Tran) - August 2011

        Sound design, production sound editing, foley and supervision.


        Unraveling Road  (Shannon Kenny) - May 2011

        Sound design, production sound editing, foley and supervision.


        An Evening with My Comatose Mother (Jonathan Martin) - November 2010

        Sound design, production sound editing, foley and supervision.


        Adler’s Bus Stop (directed by Chris Morgan) - September 2010

        Sound design, production sound editing, foley and supervision.


        Reco (directed by Chris Adler) - August 2010

        Sound design, production sound editing and sound supervision.


        The Contract (directed by Josh Murphy) - January - May 2010

        Sound design, production sound editing, foley and supervision.


        A Note To Etienne (directed by Elias Benavidez) - November 2009

        Sound design, production sound editing, foley and supervision.


        Hell Hole, The Series: Pilot (directed by Jorge Urbina) - October 2009

        Sound design, production sound editing, foley and supervision.


        Jack and Jen (directed by Chris Morgan) - November - December 2009

        Sound design, foley and supervision.


        Brute-Adidas Wrestling Commercial (Crown Chimp Productions) - December 2009

        Sound design, broadcast version is currently airing in the midwest region.

        Commercial won a Gold Addy award for Web Commercial and Cinematography.


        Capture The Flag (directed by Lisanne Skyler) - September  2009 - January 2010

        Sound design, foley and supervision. Working with rerecording mixer in LA.


        Huntleigh Files: Pilot (directed by Sean Olsen) - August 2009

        Recorded and edited foley.


        Warring Factions (directed by Justin Mashouf)  -  January - May 2008
        Mixing and equalizing production audio for a feature length documentary.


        Bicas Works (directed by Rhys Stover)  -  March - April 2008
        Broke down expectations of sync sound using Metasynth and Logic Pro.

        Applied experimental design techniques to explore a space aurally.


        Death Perception (directed by Layton Matthews)  -  August 2007
        Edited dialog and pulled sound effects.


        Gene Generation (directed by Pearry Teo)  -  July 2007
        Checked foley sync using a Protools HD3 system.
        Pulled sound effects from the Dragonfly Sound Library.
        Spotted film for sound effects and vocalizations.


        Janie (directed by Bryce Myhre)  -  April - May 2007
        Created soundscape, foley and master mix over a period of three weeks.


        Alma (directed by Yuri Makino)  -  August 2006
        Assisted sound designer.

        Checked sync, located sound effects, and edited off-screen dialog.




    SCORE & MUSIC COMPOSITION


        The Contract (directed by Josh Murphy) - January - May 2010

        Score written in midi, sequenced in Logic Pro.


        Moda Provocateur 2010 Fashion Show -  January - February 2010
        Runway music tailored for Southern Arizona Aids Foundation
campaign by Hank Knaack.

 

        Texas Cavers (directed by Joe Datri)  -  November 2008 - May 2009
        Feature Documentary. Score written in midi, sequenced in Reason and Logic.


        Another Sunday Morning (directed by William Holst)  -  February 2007
        Score written in midi, sequenced in Reason 2.5.


        Grand Folly (directed by Michael Heintz)  -  April - May 2006
        Score written in midi, sequences in Reason 2.5.


        Ordinary Day (directed by Nathan Price)  -  March - May 2005
        Composed, orchestrated, recorded and mixed the score.

        Organized musicians to record and ran recording sessions.



    FILM FESTIVALS


       Mosquita y Mari (directed by Aurora Gurrero)

            Sundance Film Festival, January 2012


        Sweetwater (directed by Brian Skiba)

            LDS Film Festival, January 2012


       An Evening with My Comatose Mother (directed by Jonathan Martin) - September 2010

            American International Film Festival, 2011

            Tulsa International FIlm Festival, 2011

            Los Angeles Reel Film Festival, 2011

                - Best Sound Design


        The Frankenstein Syndrome (directed by Sean Tretta)

            Oklahoma Horror Film Festival

                - Best Screenplay, Director, Actor and Supporting Actress


        My Father’s Son (directed by Jordan Fuller)

            NYC PictureStart Film Festival, July 2008

                - Jury Award for Best Short Film

                - Runner Up for Best Cinematography   

 

        Jack and Jen (directed by Chris Morgan)
            Foursite Film Festival, June 2010

                - Best of Utah

            La Cinema Festival of Hollywood, Spring 2010

                - Merit Award Winner


         Border Story (directed by Toby Louis)
            Tribeca Film Festival, April 2010


        Capture The Flag (directed by Lisanne Skyler)
            Aspen Shortsfest, April 2010

            Nantucket Film Festival, June 2010

                - Showtime Tony Cox Screenplay Award


        Bicas Works (Directed by Rhys Stover)

            SLC Gallery Roll, Salt Lake City Utah, May 2009

            Arizona International Film Festival, April 2009


        Alma (directed by Yuri Makino)
            Humboldt Film Festival, 2007

                - The Ledo Matteoli Award for Best Immigrant Story   
            Cine Las Americas, Austin, Texas, April 2007
            The Austin Woman’s Film, Music & Literary Festival, April 2007

            Reel Sisters of the Diaspora Film Festival, New York, September 2007

                - Best Director Award

            Baltimore Women's Film Festival, October 2007

            University Film and Video Association Conference: Faculty Juried Screenings 2007

                - Best Narrative, Accolade Award for Excellence


        Ordinary Day (directed by Nathan Price)
            LA International Short Film Festival, September 2005
            Almaty International Film Festival in Almaty, Kazakhstan, 2005
            ION Film Festival in Los Angeles, December 2005
            Arizona International Film Festival, April 2006



   EDUCATION


        University of Arizona  -  May 2008
        Bachelor of Arts in Media Arts (emphasis on Aesthetics and Criticism) with a minor in Music.



    LAB EXPERIENCE


        Media Arts Production Lab (MARPL)  -  May 2006 - May 2008
        As a Student Supervisor, maintains and checks equipment in and out of student use.


        Media Arts Post Production Services (MAPPS)  -  December 2006 - May 2008
        Monitors lab use, maintains workstations, and tests student server.



    TECHNOLOGY & SOFTWARE PROFICIENCY


        Protools LE, TDM HD3
        Sound Forge
        Logic Pro
        Reason
        Metasynth
        Bias SoundSoap and Peak
        Final Cut Pro
        DVD Studio Pro


        Tascam DA-P1 DAT Recorder
        Nagra 4.2 Reel to Reel Recorder
        Tascam HD-P2 Compact Flash Recorder

        Fostex FR-2 Compact Flash Recorder

        Fostex PD-606 Hard Disc Recorder
        Sound Devices 744T Hard Drive Recorder
        Sound Devices 442 4Ch Mixer

        Shure FP-33 3Ch Mixer
        Lectrosonic Wireless Lavalieres
        Sennheiser Wireless Lavalieres

SOUND DESIGN ~ SOUND RECORDING ~ MUSIC COMPOSITION